โชคดีละกัล One Punch Man SS3 J.C.Staff เหมือนเดิม
อนิเมะกำหนดฉาย 5 ตุลาคม 2568 อนิเมะผลิตโดย J.C.Staff เช่นเดียวกับ SS2
Staff
producing the anime J.C.Staff
Director: Shinpei Nagai (Danna ga Nani wo Itteiru ka Wakaranai Ken) NEW
Series composition Tomohiro Suzuki (Sousou no Frieren)
music composers Makoto Miyazaki (Zom 100: Zombie ni Naru made ni Shitai 100 no Koto)
Designing the characters Chikashi Kubota (One Punch Man), Shinjirou Kuroda (Shokei Shoujo no Virgin Road key animation), and Ryousuke Shirokawa (Violet Evergarden key animation)
Art Director: Sakura Murakami (Danjo no Yuujou wa Seiritsu suru? (Iya, Shinai!!)) NEW
Color Design: Mayumi Tanahashi (Maou 2099)
Director of Photography: Yuki Hirose (Edens Zero) NEW
Editing: Masahiro Gotou (Zombieland Saga)
Sound Director: Yoshikazu Iwanami (Kono Subarashii Sekai ni Shukufuku wo!)
Music Production: Lantis
เครดิต myanimelist
แสดงความคิดเห็น
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Hello everyone, nice to meet you.
I'm Shimpei Nagai, the director of One Punch Man Season 3.
I completely understand everyone's reactions.
Please calm down and hear me out, if you would.
I'll explain why I was chosen, and it might be a bit long, but please listen.
I've been a freelancer from the beginning, and that hasn't changed.
At 37, I wrapped up my apprenticeship and stepped into the anime world with a work called "Hiiro no Kakera."
I learned how to create hybrid animation with 3D in a project called "Aquarion Logos,"
and after that, I switched to a 3D company for just one year, contributing to image boards for "Altered Carbon" and such.
My goal was always Manglobe.
I honed my skills on Episode 6 of "GANGSTA." and "Samurai Flamenco," among others.
I was aiming for a hybrid of 3DCG and hand-drawn animation, but as everyone knows, Manglobe ended up closing down.
In the midst of that, J.C.Staff became a long-term partner, commissioning me for storyboards and direction throughout the year.
However, since I'm relatively unknown and don't have standout achievements as an animator, I thought it might give a bad impression, so I asked to keep it under wraps.
Then, when the consultation for One Punch Man Season 3 came up, I focused on incorporating a new workflow—something I discussed in CGWORLD, bridging 3D and 2D workflows—to squeeze out even one more second of production time.
I sincerely apologize for keeping quiet about this.
The team is giving it our all on site.
I can't discuss details about the production, but I'm open to answering what I can within limits.